Your cart is currently empty!
Making a piece takes two visits. In your first class you shape your piece; it then dries and goes through its first firing. You return for a second class to glaze it, after which it’s fired once more โ and once it’s ready, you pick it up. Two classes, start to finish, and you leave with something you made.
3 Hours
Handmake a unique ceramic item out of fresh stoneware clay.
Get a tutorial on the basics, then make whatever you wish. No limits on clay/items.
3 Hours
Create unique surface decoration using a rich set of ceramic glazes
Customize your items with colors, patterns, illustrations, and leave it with us for a final firing.





Working together gives us a glimpse into each other’s creativity.
This can affect the way we interact.


There are as many methods as there are makers.
But much of the ceramic process has been constant for thousands of years.
You take a block of soft clay and form it into a shape, like a bowl, mug, or sculpture. Most new potters simply use their hands, while many others shape on the wheel, or using forms.
After being exposed to air for a while, soft clay dries. There are two stages to drying: ‘leather hard’ and ‘bone dry’. Leather-hard pottery can be trimmed to improve its shape.
Once dry, your clay work goes into a kiln, and we fire it to 900C/1650F in a ‘bisque’ – the first of two firings. As bisqueware, your pottery is primed for glazing and decoration.
It’s time to decorate your piece by applying a few layers of glaze with a brush. You can also use underglazes, which are more similar to paint, to create precise, elaborate designs on your pots.
Once your glazes are dry, it’s time to return to the kiln for a final High Fire firing. We turn up the heat – for this one we need as much as 1200C/2200F. The glaze melts and takes on its final look.
Your item is now ready. Pick it up and take it where it belongs. Perhaps it will decorate your home, or hold your morning tea. Or, better yet, you could use it as a delightful handmade gift for someone you like.

A lot of our energy goes into experimental glaze work. We explore interactions between different glazes, hoping to find combinations never seen before.
We reserve our favorite recipes for our class participants, and publish the rest for other potters to try.